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I guess if you have a few notes here and there that are many ledger lines below the staff, hence requiring you to move a few pedal lines lower than the default you have chosen. If you have your style settings set as you like, then they are positioend that way by default. They should hardly ever need to be moved at all. If you care about preciseness in positioning things - as would seem to be implied by wanting to use a grid - then it seems in all possible ways, nudging with the keyboard is better than dragging.Īnd for Pedal, I especially don't understand. The grip implies you are dragging things eith the mosue for some reason rather than using keyboard (edit mode / arrow keys). But I guess I still am not understand what value you see in having the grid turned on. :-)Īnd again, I do understand the request. well, that's what prompted me to start this thread and request the feature. If you work in an environment like mine - snap-to-grid turned on by default because you always want it to be available - but maybe 1 out of every 5 (or even every 10) drags, let's say, you want the object not to snap to the grid. I do feel a bit like my wish was granted, and now I am looking a gift horse in the mouth. I used graphics programs a lot, and I have been hoping for a snappable grid since MuseScore 0.9.5.
#Turn off snap to grid word mac 2016 software#
Oftentimes the habits we have formed may have become fairly ingrained that's bad if it means an inflexibility or difficulty adapting to stuff that's new and different, but I actually think it's good when it means understanding how software can be predicted to perform generally, grasping the concept of 'best practices' for efficiency and productivity, and having occasional insight into functionalities that could make a program work better. We all have differing backgrounds, obviously - and this is as true for our end-user experiences with software as in any other area. (This has nothing to do with the snap-drag-override that's the subject of this topic, of course it's just one of the really important uses that I have for the fabulous new snap-to-grid feature!) I know I already mentioned pedal marks in my first paragraph, but I'll take the opportunity to reiterate that the grid is virtually indispensable for consistent positioning of the 'Ped.' and '*' marks. It can be corrected by entering that amount as a horizontal offset in the Inspector, sure - but it would be easier if in this particular instance I could just override the grid when I'm dragging. 3 spaces (spatiums? spatia? space units?). I think the actual amount of the shift is. But if I need to move that fingering upwards - let's say, for example, to accommodate the beginning or end point of a slur - the numeral will also shift to the left fraction of a space because of the grid. By default, the numeral is precisely centered over the notehead - as it should be. Assume a fingering with normal Fingering style, positioned above a notehead in the treble clef. Now, here's where I often need a momentary override for fingerings. The elements I'm talking about positioning include staff text, dynamics, articulations, hairpins, ottavas, fingerings, and old-style pedal marks. That's how I work there's pretty much no downside for me to having it turned ON, as it ensures a consistency in relative positions and distances that relies on vision alone - and that makes sense to me. (Oh no, not that again!)įor purposes of my narrative, consider that our point of departure is the Snap-To Grid is ON. What prompted my inquiry about the need for occasional momentary overrides is.